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Locke's New Negro

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... also those who came after him. Locke as New Negro It has been mentioned that Locke embodied both the worlds of sophisticated study and of ethnic roots. This gave him a they may on the surface appear to be comfortable ones. . We have tomorrow/ Bright before us/ Like a flame. (Alain Locke, "Enter the New Negro", 1925) well as the dignity of ethnic heritage. The Harlem Renaissance was a time of hope for the African American. Alain Locke promoted the Negro's rediscovery of self is substituted with self-respect and self -orientation. Alain Locke defines the New Negro not only in his writing but also through his own life. He is completely self-conscious and to entertain. Locke was the epitome of the New Negro. . ____________________________________ ____________________________________ and to entertain. Locke was the epitome of the New Negro. . ____________________________________ ____________________________________ ...



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Sources list for LOCKE'S NEW NEGRO:

Locke, Alain. "The New Negro" in Lewis, David Levering The Portable Harlem Renaissance Reader. New York: Penguin Books, 1994.
Harlem, Paris Noir, and the Transatlantic Quest for Black Identity

Locke, A. "Enter the New Negro." The New Negro. New York: Touchstone, 1999.
African-American Authors

Locke: Cranston, Maurice, John Locke: A Biography (1957; repr. 1985); Dunn, John, Political Thought of John Locke (1969; repr. 1983); Grant, Ruth W., John Locke's Liberalism (1987); Harris, Ian, The Mind of John Locke (1994); Mabbott, J. D., John Locke (1
Leaders in Political Philosophy

William Stanley Braithwaite, "The Negro in American Literature," in The New Negro, ed. Alain Locke (New York: Atheneum, 1969), 44.
Jean Toomer’s "Cane"

Locke, John. Locke: Two Treaties of Government. Student Edition. Ed. Peter Laslett, Quentin Skinner, Raymond Guess. Cambridge University Press, 1988.
Hobbes vs. Locke

 


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