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Audiences In Film History Search result for 'Audiences In Film History': Paper Excerpts: ... need for a more complex and sensationalized plot to keep audiences interested in his film. The novelist can develop his tool for bringing the audience `into' the film. The film itself reflects the unconscious needs of the audience, certain that the audiences of the dramatic film adaptation of Mary Shelley's work had any real understanding for the find commonality. They also continue to resonate with audiences, even years after the films are released. Movies such as tool for bringing the audience `into' the film. The film itself reflects the unconscious needs of the audience, ...
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Sources list for AUDIENCES IN FILM HISTORY: Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>.Film Noir: 1941-1953 Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 “The Big Lebowski†Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999. Can the Horror Genre and Scopophilia Co-Exist? Field, Todd. "In the Bedroom." Good Machine;Greene Street Films, Inc.; Standard Film Company, Inc. 2001. American Life through Films Desser, David. *Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film.* Film Quarterly. 51(4): 44-46. Japan's Film Industry More sources on "AUDIENCES IN FILM HISTORY"
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