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Agamemnon And Orestreia

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... clearly: "MENELAUS: Odysseus cannot possibly hurt us. AGAMEMNON: He was ever shifty by nature, siding with the mob. the authority of Agamemnon over him and that Agamemnon, as king, has more followers than which the Agamemnon stands connected. King Lear is, indeed, the greatest single achievement in poetry of the Teutonic, or Northern, Agamemnon). Shakespeare's interpretation of Troilus and Cressida provides an in-depth and humanistic look at the Trojan Agamemnon would not surrender Chryseis back to the Achaeans without any form of ransom. ...



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Sources list for AGAMEMNON AND ORESTREIA:

Knox, Bernard: The Norton Book of Classical Literature, W.W. Norton and Co., New York. Pp. 300-328: Agamemnon; pp. 359-402: Antigone. Excerpted from Exodus, lines 1414 - 1675.
The Role of Women in "Agamemnon" and "Antigone"

G. F. Held, 'Phoinix, Agamemnon, and Achilleus. Problems and Paradeigmata', CQ 37 (1987)
The "Iliad"

English 240: Ancient Literature, Agamemnon. Available at : http://www.ajdrake.com/e240_fall_03 /materials/authors/aeschylus_sq.htm English 240: Ancient Literature, Agamemnon. Available at : http://www.ajdrake.com/e240_fall_03 /materials/authors/aeschylus_sq.htm
The Role of the Chorus in Greek Plays

Aeschylus', Agamemnon, Translated from the Greek to English with Introductions, Notes and Synopsis, by Howard Rubenstein, Granite Hills Press (April 1998)
The Role of the Chorus in Greek Plays

 


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